Anniversary Automaton

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These past couple of weeks I spent most of my spare time on a present for my parents’ wedding anniversary. Lo and Behold: The Anniversary Automaton

The idea was to animate my niece’s drawings and to make a simple automaton out of cardboard with a crank that would allow for a ‘Jumping Jack’ - style movement of all seven characters. As usual, it turned out to be a bit more complicated than expected, but it was good fun building it!

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I prepared the brilliant drawings that my niece had done by laying out the separate parts on cardboard and connecting the cut out pieces.

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Once all the parts were assembled, I rigged the characters with brass wire. The design is based on the idea that the characters’ feet are locked down, while the body moves up and down in a linear movement with the arms doing an additional circular movement (i.e. the body moves down and the arms swing up).

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What I hadn’t really thought through was that the characters needed stabilizing to keep them from wobbling about. In the end I added a piece of wood with two wires which are connected to the back wall of the automaton.
This bit of wood defines how much the characters can actually move up and down. When the character can’t move any further the movement from the crank then pulls the wire directly which makes the arms move up.

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There’s a few pictures showing the whole wire, wood & cardboard construction - probably explaining it better than my waffling.

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The whole construction is very handmade and ever so slightly wonky, but it’s certainly made with love :)
I hope to eventually get around to working with stronger wood and gears, shall keep you posted.

A Midsummer Night’s Dream @ Bristol Old Vic

Bristol Old Vic recently teamed up with Handspring Puppet Company (the company behind WarHorse) to produce a version of Midsummer Night’s Dream.
The production very prominently features puppetry and object theatre and offers a beautiful and fresh take on Shakespeare’s classic - you should really go and see the play if you’re in the area (and if you’re not, it sure is worth a trip)!

‘Crafting’ is a key aspect in the production, and I loved how it was used so consequentially in set design and puppetry as well as in defining the characters as makers and players.
Starting out as a form of workshop, the setting quickly transforms into a magical landscape with the help of abstact wooden constructions and simple planks that - in the hands of the actors/puppeteers - become characters, waves and trees, while their movement can imply threat, fear, fatigue or comfort.

The four young lovers are portrayed through both puppets and their visible puppeteers alike and I really like how this concept plays on the innocence as well as the humourous manipulation apparent in the play.
This worked particularly well with the use of posable armatures for the puppets, which I haven’t seen used in live puppetry before. I found it fascinating how the puppeteers could act through their puppets and then ‘disconnect’ - leaving the puppet in the precise pose the puppeteer left it in as if it was frozen in time. In my opinion this is a really exciting approach which allows a fascinating variety in communication, not only between the puppets, but also between puppet and puppeteer as well as between the puppeteers themselves.

Anyway, enough of my ramblings.
Midsummer Night’s Dream is on at the Bristol Old Vic until 4th of May 2013. For more information about the play and where to get tickets go to www.bristololdvic.org.uk


Mood-O-Meter
This is a two-sided automaton I built as a birthday present
for my delightfully moody friend @MarianaMota
The automaton helpfully covers the two mood versions Happy & Grumpy, all with appropriately accompanying music box soundtrack and everything.